2024 · Risograph, saddle-stitched, 48 pages
A collection of over 200 illustrations from The Waterfront Worker, a mimeographed newsletter written and printed by anonymous San Francisco longshore workers from 1932 to 1936 during the era of the 1934 West Coast Waterfront Strike.
I discovered the newsletter, digitized through a joint preservation project by the ILWU and University of Washington, while researching Emeryville Cool Fun Facts. From its largely text-based issues, I selected and organized the recurring illustrations by topic; the 2025 second edition was redesigned with Paul Morgan. The drawings are often humorous, sometimes bizarre, and always deliver a biting critique of capitalism and the bosses who inflict suffering on everyday workers.
Slingshot reviewed the booklet in 2025:
The drawings are of police harassment, bosses, jail cells and cops shooting down strikers, just as [R. Crumb] said, They are crude and amateurish; fine artists generally didn’t work the docks. So these drawings came from calloused working hands, and they look like it. But they thereby convey an authenticity you can’t get from Edward Hooper. Even if he were to be counted among your allies.
Published by Current Editions -> Available





Hold That Line!: Drawing Blood on the Waterfront
By Jessalyn Aaland
Design direction by Jessalyn Aaland
Graphic design by Paul Morgan
The University of Washington Waterfront Workers History Project and ILWU Archive collected, archived, and provided access to these newsletters.
Risograph, saddle-stitched
6 × 9 inches, 48 pages
First edition, 2024, 250 copies
Second edition, 2025, 650 copies
Published by Current Editions
Collections: San Francisco Public Library, San Francisco, CA, New York University, Elmer Holmes Bobst Library, New York, NY

2024 · Risograph, saddle-stitched, 48 pages
A collection of over 200 illustrations from The Waterfront Worker, a mimeographed newsletter written and printed by anonymous San Francisco longshore workers from 1932 to 1936 during the era of the 1934 West Coast Waterfront Strike.
I discovered the newsletter, digitized through a joint preservation project by the ILWU and University of Washington, while researching Emeryville Cool Fun Facts. From its largely text-based issues, I selected and organized the recurring illustrations by topic; the 2025 second edition was redesigned with Paul Morgan. The drawings are often humorous, sometimes bizarre, and always deliver a biting critique of capitalism and the bosses who inflict suffering on everyday workers.
Slingshot reviewed the booklet in 2025:
The drawings are of police harassment, bosses, jail cells and cops shooting down strikers, just as [R. Crumb] said, They are crude and amateurish; fine artists generally didn’t work the docks. So these drawings came from calloused working hands, and they look like it. But they thereby convey an authenticity you can’t get from Edward Hooper. Even if he were to be counted among your allies.
Published by Current Editions -> Available





Hold That Line!: Drawing Blood on the Waterfront
By Jessalyn Aaland
Design direction by Jessalyn Aaland
Graphic design by Paul Morgan
The University of Washington Waterfront Workers History Project and ILWU Archive collected, archived, and provided access to these newsletters.
Risograph, saddle-stitched
6 × 9 inches, 48 pages
First edition, 2024, 250 copies
Second edition, 2025, 650 copies
Published by Current Editions
Collections: San Francisco Public Library, San Francisco, CA, New York University, Elmer Holmes Bobst Library, New York, NY
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Organizing Power
Class Set
Oakland DIY Music Archives
Extended Hours
Emeryville Cool Fun Facts
Guide for Youth Protestors
Sunsets for Emeryville
SFMOMA Artist Soapbox Derby
Art on Market Street
Light Is the Left Hand
God Only Knows
Girltalk
A Brief and Inconclusive History of Protests on San Francisco's Market Street
Hold That Line!
Not Recommended for Children Under 3 Years of Age
Emeryville Cool Fun Booklet
The Clown and the Cowboy
Organizing Power Volume 1
Organizing Power Volume 2
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